Paul Sewemaenewa
Wlidcat /
Tokoch
12" total
height
"Tokotsi or Tokoch Kachina
is the Wildcat Kachina. He is one of the Angry Kachinas and appears
with others of this type when there is work to be done in the
community such as the cleaning of the springs.
"He never appears in
regular dances unless it is the Soyohim or Mixed Kachina Dance.
As a kachina who is expected to keep the idlers at work, he usually
carries a rope in his left hand and a switch in his right."
- Barton Wright, "Kachinas:
a Hopi artist's documentary" (31)
The obviously unique features
of this piece are the detailed aspects of the base. Paul always
does a fascinating job with his larger, detailed bases. Here
you can see a pueblo building in a waterfall setting. Alongside
are the traditional cradle dolls of the Hopi.
Paul hails from Third Mesa
- the village of Hotevilla. He is a young carver at only 34 years
old, but has been carving since he was only 7 years old. Born
in Ganado, Arizona - he is of the Roadrunner and Greasewood clans
of Hopi.
He credits his uncles with
teaching him the kachina carving art. His favorite designs include
animals, morning kachinas, and maiden kachinas.
"This is a talent that
I have been fortunate to be taught by my uncles when I was very
young. Doll carving was a way to support myself with things that
I wanted when I was a child all the way to my adult life. This
has always been a means of supporting my family and myself.
"I enjoy carving because
every piece I create has a little piece of myself in it. Each
piece of cottonwood has a specific art form in it. When I start
carving the kachina, working within the wood, it will come right
out and show itself, but if I try to go against what is within
the wood, it takes longer and things don't usually work out the
way you want.
"I enjoy teaching my
carving talent to people who are serious about learning and who
are willing to make something out of being able to learn. My
carvings mean a lot to me. I don't make them just to make them.
I always think about how my carvings are and where they live
and how they are being taken care of.
"I am very grateful to
my uncles Bill & Willard Sewemaenewa for always pushing and
encouraging me to learn this art."
- taken from Paul's own autobiographical
statement
